Aidan Coffey : Seamus Begley's
I'll assume that you've fitted in the grace notes and triplets. Now, speed up the tune and concentrate on getting the rhythm right. If you're adding bass be careful about the frequent change of bellows. I usually use both A chords on the bass side as appropriate (the lower two buttons on the outside, which give A on the draw, and the upper two on the outside which give A on the press).
Part B @ 80% pace
Again here, I'll assume that you've fitted in the grace notes and triplets. Now, speed up part B of the tune and concentrate on getting the rhythm right. If you're adding bass, its more straightforward than part A. You can draw out a long bass (in A) for the opening C#. Again be careful about changes of bellows which will require taking your fingers off the bass buttons where a note on the melody doesn't match with the A chord. The other two bass chords used are E(press) and D(draw) which use the same bass buttons as each of the A pairs mentioned above.
Part A @ 80% pace
50%
